All about electronic valves and hi-fi
Barry French has recently build his version of the 01a Preamp Gen2. Here are a couple of pictures:
And Barry’s impressions:
“The 01a Amplifier is a stunner, personally I feel it leaves the 26 out in the cold, better top & bottom by a Country Mile, this was built using the Russian FT-3 Caps on the Output, Russian PIO Caps on the Boards with Jupiter 0.1 μf Wax/Oil Caps from B+ to Ground, the Power Supplies for both Filaments & B+ are from my original 26.”
I received many requests throughout this year of folks building the 01a preamp (Gen2) asking for advice on the HT supply design. Well, I have my own incarnation which serves multiple purposes as is a shared supply, therefore isn’t useful to anyone.
My friend Andy Evans came up with a supply using available components. This is exactly what you are looking for the HT supply. I made some tweaks to Andy’s design, so all credit should go to him.
The HT supply design is very simple. It’s mainly a choke-input valve rectifier supply. It has an additional LC smoothing stage. Here is the high-level circuit, see some notes
The transformer is a 250-0-250V / 50VA with an output current of 60mA. It has two windings for 6.3V AC heaters, but you only need one. Here is a great choice from a recommended seller.
The valve rectifier is a double-diode damper. Of course you can use some other options, but I like the sound of them. Here are some you might want to consider in your build:
For the indirectly heated diodes, it will be better to connect one end of the filaments to the cathode.
The chokes are commonly available. These are from Hammond (155J) and have 15H @ 30mA. The downside is the high resistance, over 1kΩ. This isn’t an issue here as the current consumption is low so the voltage drop is minimal. With a choke input supply you need a minimum current to operate. In this case is about 15-16mA so a bleeder resistor is needed (29kΩ 5W wire wound) .
C1 serves to equalise the output voltage. It pushes the supply to operate a bit more like cap-input (hybrid) by increasing the output voltage. I use it to tune the output voltage to 200V.
C2 and C3 are classic motor run capacitors. I personally use ASC Oil ones 450VAC rated. You can choose what you can get hold. You can use any good quality film capacitors. I like the WIMA DC-LINK ones, they are great.
The output ripple is about 7mV. This isn’t a problem as the gyrator load has a very high supply rejection (PSRR) so no need to go crazy on this. If you
The design is so simple that anyone should be able to build this easily.
Hope it works for you.
Merry Christmas!
I’m now back in business. Building a new 4P1L PSE output stage so will reuse the 300B/4P1L Flexible PSU. I never managed to post an update on the troubleshooting I had to do to get this HT PSU to its optimal state.
The output voltage was lower than expected and the 50Hz component extremely high. Something was wrong. So I traced the issue down. I found a bad solder in one of the rectifier’s cathode. The supply was operating in half-wave mode.
The supply is choke-input with 6AU7 rectifiers (hybrid bridge with FRED rectifiers). The transformer is custom made and has multi-taps for 300-400 and 500V. The tuning capacitor for the choke input is 470μF, then choke is 2.5H into 50uF oil cap. The filtering stage per channel is 20H + 100μF Oil caps;
Here’s a test of the supply at 330V/60mA per channel. It’s very rewarding now to see no 50Hz component and that the ripple at 100Hz is just 4mV (ignore the mA typo on the image):
A fantastic build of the 01a preamp using the gyrator PCB from Cheah:
I have just completed my 01a preamp with STP3NK60ZFP output follower. The preamp sounded great !!
A great looking preamp using Rod Coleman’s regulators, output follower and V-Cap capacitors. The jFET is BF862.
Well done Cheah!
The best part of Friday night. Put a record on – Evan Parker’s “the topography of the lungs” and opened a bottle of Brixton’s Atlantic Pale Ale. Curry delivery is on its way. What else can you ask to finish the week?
Listening session on Andy Evans’ tomorrow. I will take the jFET buffer as well as the latest UV-201a preamp for some thorough tests.
Enjoy the weekend!
Ale
Did you ever dream about having a nice valve headphone amp? I did. Several times in fact. I’m not keen on the OTL designs and yet, owning a pair of Grado’s SR80i 32Ω headphones, I’ve been looking at different topologies and designs for headphone stages.
The main challenge when implementing valve amplifiers using transmitting valves or valves which require a significant voltage swing (e.g. 300B, 45, etc.) is the driver. Getting the driver right is not easy. You’re asking for a single stage to swing 150 to 200Vpp at minimum distortion. There are some ways you can achieve this:
You should start by reading this extensive blog post. That will provide you with a lot of information around the shunt cascode and how it works. Back in 2013 I started playing with the 6Э5П in this topology. It was quite promising. Now, I have revisited and built this driver to see how it really performed.
The design is very similar to what we discussed back then. I shall proceed in describing the circuit, in particular the changes made. The driver is still the marvellous 6Э5П. There are few valves out there that I don’t like as much as I do with the 6Э5П. I measured the curves long time ago when I started with the curve tracer project. I also tested the 6Э5П and 6Э6П extensively. I do love the 6Э6П as well, it’s one of my favourite drivers.
The 6Э5П is biased at about 200V/30mA with a degeneration cathode resistor of 120Ω. As the gain of this stage isn’t dependent on the μ of the valve, then is good to do this to improve the linearity of the driver. M2 forms a CCS with Rmu. It provides the current to the 6Э5П as well as the current to the common base stage formed by Q1 and Q2. The gain of this stage is gm times R5. The gm is the valve’s transconductance The collector current of the MPSA92 is kept low to ensure distortion is minimised as well as its operated under SOA. D3 provides a protection to the darlington pair when is reversed biased.
The gain of this stage was measured to be x140 (or 43dB). That equals to a degenerated transconductance of 5mA/V with a cathode resistor of 120Ω and a gain resistor for 27kΩ.
I usually don’t write about music, mainly because this blog isn’t about my music preference and I respect that people may have different tastes. Either way, I couldnt’ resist in posting about this great compilation of Led’s BBC sessions. If you don’t like them, avoid reading this. If you do, it’s worth exploring this 3 CD compilation.
It’s rock at its best in my view. Very powerful, specially outside the protection remit of the recording studio which exposes the essence of any band in my view.
Don’t expect any hi-if recording here, just pure magic and music, that’s all about
Enjoy the power of Zeppelin!
Happy Thanksgiving.
Ale
First listening test with these beauties, it sounds really nice!
And here is the look inside for the curious ones who always ask me to provide more details about the construction. Here is a good ground wiring example. The preamp is dead quiet:
Just a quote from a friend who inspired the cartoon below
“With all that is happening in the world, I’m just liking being able to come home and put a record on. There’s something honest about it”. – Tom Browne
