Gyrator PCB – Page 2 – Bartola® Valves

45 Push-Pull Amplifier

Chasing that sound

The 45 DHT is probably one of the best sounding valves out there. In fact, I have struggled to get a similar level of detail and timbre in a 300B or 4P1L output stage. Even my 814 SE Amplifier (which was class A2 and had thoriated-tungsten filaments) couldn’t replicate that sound. I posted time ago my incarnation of the 45 single-ended amplifier here. The main challenge with this valve is that it can only put out there nearly 2W, not more. With its 10W anode dissipation, you will struggle to get more juice from it in class A at a low distortion level.

However, if we look at a push-pull amplifier with the 45, we can hopefully retain the timbre characteristic of the valve, despite it won’t be a single-ended one. Well, I love good PP amps, so why not?

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Hybrid Mu-follower (aka Gyrator) Rev08 PCB Update

It’s been far too long since I last posted on this blog. With the limited spare time I’ve got these days, I concentrated in setting up the new workshop and system since we moved back to our place. I’m nearly there, so now it’s time to get back to work

I made some updates to the “gyrator” PCB. I’ll stop referencing it gyrator from now on, since the name is misleading. However, it got popular that way. Nevertheless, it’s a hybrid mu-follower circuit but if only if you take the output from the anode, it behaves like a “gyrator” from a frequency response perspective. If you’re interested in this circuit in more detail, please read the lecture I gave last year at ETF.18. You can download it from here.

Back to the board, here are the few changes made:

Moved the trimpot P1 for easier fixing of the board with the M3 standoffs.
Added a gate stopper resistor (R9) to avoid oscillation at low anode current (<10mA) when using high-gm MOSFETs in the lower position J4. This was evident with devices like BSH111BNK
Added an LED (D4) indicator and a series resistor (R8) at the drain of M3. This enables indication of:
1. Normal operation subject to value of R8
2. Source current into load (e.g. like in A2 operation) subject to value of R8.
3. Short output to ground. Depending on duration and current limitation of power supply, this may prevent damaging M3 MOSFET. Not guaranteed, but in some scenarios will work.

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ETF.18 DHT Preamps Lecture

ETF.18 has been an emotional journey. I moved house literarily when I got back from ETF so my life has been more than hectic over the past few weeks.

I promise I will do a write-up of this amazing experience. There’s a lot of people out there who would love to attend so is my duty to reflect and share as much as I can.

In the meantime, I wanted to share the lecture I gave at ETF on DHT preamps. It was a challenge on its own but went really well. This was my first ETF and without knowing the audience I had to guess the level of detail, entertainment and expectations of an unknown audience. I knew a fair bit of the ETF folks, but audience was big and wide.

I struggled to find the time to prepare this lecture I have to confess. Between moving house, house building works, my second daughter’s arrival , weekly work travel and everything else, I seemed not to find the time to get this done. Thank you Morgan Jones and Rod Coleman for proof-reading and making this an easier task.

I hope you enjoy it. There are some notes on the slides I put together for the people who didn’t attend ETF. Otherwise the slides aren’t of much use on their own.

I’m writing this blog entry whilst enjoying the lovely Bourbon that Pete Millett gave me on the way back. Thanks Pete!

ETF Lecture on DHT Preamps (with notes):

DHT-Preamps-ETF2018-final-notes

ETF Lecture on DHT Preamps (slides):

DHT-Preamps-ETF2018-final

Tuning the system for ETF

This year I entered the shootout competition and will bring my DHT system to the European Triode Festival in France. It’s comprised of the ER801a stage plus the 01a (if extra gain is needed) and the 4P1L PSE output stage

I will have to swap out the amorphous OPT for the Monolith Magnetic ones as the speaker load is 5R.

It’s going to be interesting!

300B Amps: an early breadboard

Browsing my schematic archive I found this early implementation from some years ago on the 300B:

The amp design is straight forward. Let’s start from the output stage. The 300B is run hot at 33W (376V/90mA) with a fixed bias of about -78V. I used a pair of LL1623/90mA OPTs which I had wired on 3K:8 mode.

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Aa DHT Preamp (Part I)

Obviously it was time to test the little brother of the “Ba” DHT. In particular, as I have such a low DAC in place now, I need the gain. With nearly a gain of 30, it’s an attractive fellow to work with.

First good sign is that it doesn’t pick up as much hum as the Ba. That’s good, nevertheless I placed a back copper plate which acts as enough earth shielding to keep the Ba quiet.

I worked with my breadboard to find a good “sweetspot”( at least electrically) for this valve. Given the low signal source level, I aimed for a low bias. I played with my fixed bias setup before replacing it with the SiC bias board. I found that 2V/160V was very good in terms of keeping the distortion profile to minimum. Here is what I ended up with:

Only 2 SiC diodes are enough. The source follower PCB is mandatory given the low anode current. I run it at 20mA (hot) to get best results of the stage. Rest of the circuit is very simple, achieving a gain of about 30. Here is the distortion profile:

There is no shielding and you can see some minor IM distortion with mains hum. Harmonic decay is nice with H2 being strongest. THD is very low at 4Vrms which is good sign. Let’s see the frequency response now:

Nearly 140kHz of bandwidth which is plenty for the stage. Great response. I just need to plug this one in and listen to this promising German DHT.

01a with filament SiC bias

I tried the below configuration and the results are very promising. Sound is as good as previously implemented SiC cathode bias.

Now looking at the TH and frequency response:

The stage performs as expected. I built some prototype PCB for the SiC filament bias. One board per channel. If there is any interest, I will run a bigger batch

Sounds great, as always.

Cheers

Ale

Ba DHT Preamp Build

Just in the last days before the arrival of our second child, I had a spot of luck and managed to get some free time to work on my DHT preamp experiments.

A pair of NOS Siemens “Ba” valves under initial testing

Originally I was put off by the hum pickup susceptibility of the Ba German DHT. However, I decided it was time to listen to the design I worked and experimented in my workshop time ago. I remember listening to this valve and was very pleased with its sound.

ER801a Driver Stage

Received the ER801a today back from Thomas. They were working fine, it was a faulty UX-4 socket pin of my tracer which annoyingly made the grid to appear faulty and open at certain voltage level. I need to replace it.

Either way, they are now in my system and I can only say how much I was surprised with the sound of these. They take the detail and timbre of the VT-25 to a next level. Amazing result, happy to have these as part of my driver stage. The preamp is the 201a feeding the ER801a into the 4P1L PSE.

Highly recommended valves, worth the price indeed.

DHT Audio Shootout @ London

Here’s the summary of the shootout day we had yesterday at my place with Tony Rees and Andy Evans

Test Music

For testing the pre-amps Andy suggested the following 2 tracks:

Ravel Feria (Cleveland/Boulez)
Janacek The Cunning Little Vixen Act 3 Scene 7 “A vixen’s running through the woods” Prague Theatre/Gregor

The Ravel is orchestrated for a large orchestra and percussion, and listening was particularly for the timbre of strings, brass and woodwind and the clarity of the percussion. The Janacek is for several different voices and chorus, and listening was for the tone and character of the voices and how well they were differentiated from each other. In both cases the overall clarity, life and crispness was considered.
Andy Evans

Although I wasn’t familiarised enough with these 2 tracks myself, I found them to be an excellent choice and a reflection of Andy’s musical experience and knowledge as musician.