45 SE Amplifier

Introduction

More than 5 years ago, I built a fantastic single-ended amp with the unique 45. The 45 has a distinguished tone and personality despite its mere 2W of output power. If you have high efficiency speakers, then it’s a great amplifier to build. With 2W you can enjoy music in a mid-sized room. You don’t need more, this amplifier performs at its best at low output levels and in particular when playing jazz or classical music.

The 45 Amp design

There are plenty of design circuits out there. I settled for a simple triode driver using a gyrator load. The choice was down to the 6J5 and 7193 (a military version of the 2C22). Both triodes are medium mu and sound really nice. Depending your needs, you may opt for a different driver (even pentode). However, they need to be able to drive the large voltage swing required by the 45. I’d go for a 6J52P, 6e5P, 6e6P, D3a or C3g these days. It all depends on your needs and available valves. The driver is biased at 7mA to provide enough grid current to avoid slew rate issues. An improved version would be to add a MOSFET follower to provide better performance under grid current. An example of a follower implementation can be found here.

The 45 is biased hot at 34mA/300V. The anode can handle 10W and this operating point provided best sound in my view. The OT is crucial, so invest as much money as you can afford. Rod Coleman regulators are needed to implement this amp without hum and the unwanted inter-modulation effects.

I carried out several tests on the driver to find the sweet spot for minimum distortion and full swing. The driver is a hybrid mu-follower composed by the gyrator and the 6J5/7193 triode. The valve is biased by a set of 5 red LEDs to about 8V. I think I had a combination of a white LED and LED to provide 8V in my implementation. The dynamic resistance is minimum and won’t impact the performance of the stage.

I used the Sylvania metal-base 6J5 but then settled for the 7193 valves. They sounded better and I was quite pleased with the overall performance of the amplifier.

The amplifier design is very simple. With the gyrator PCB you can simplify the driver build and also use different valves to experiment with them. I originally didn’t have a PCB so I built my gyrator in a prototype board.

I’d highly recommend you building this amplifier. If you want to experience the single-ended sound, then this is one of the amps to build. Of course you can go for higher power levels with a 2A3 or 300B, however, the sound of the 45 is unique. Worth trying

45 SE Amplifier upgrade

Replacing driver for 7193 valve

Well, after nearly 12 months of playing relentlessly my 45 SE amplifier, had an unexpected failure in the power supply (passive regulator) which forced me to do maintenance to the amplifier. It was a great opportunity to remove the 6J5 driver and do a quick swap for the greatly respected 7193 (i.e. military version of the 2c22)

Bias point remains unchanged: 7mA and 260V for maximum swing and minimum distortion. Need to look at my notes, but I remember that I was something around 0.30% at 100Vpp driving the 45 (which is not an easy load for anyone). Driver configuration was not changed, so had the 7193 now loaded with same DN2540 single transistor gyrator and mu-follower output for lower impedance. The valve was biased at about 8V with an LED array.

As a test, played the fantastic Symphony No. 3 from Henryk Gorecki….

Listening to the 45 Single Ended (SE) Amplifier

A perfect and warm sound

Hard to describe in words what I felt when I played first time “Goodbye Pork Pie Hat” from Charles Mingus. Perhaps it was the due to the fact that I play saxophone, but inevitably for me this song is one of the best ones to test the response of any amplifier. Sax duets, solos, a great bass line and varied moods along the way can take the amplifier to their best of their abilities. Being a jazz fan, couldn’t help myself when listening this amplifier for the first time. I used to play an EL34 push-pull, and liked its sound and power – specially for rock. But when it comes to the first watt, this amplifier is breathless. Pure and a warm tone. Playing this song made me understand all the fuzz about single ended amps. But, far from opening the debate about that, I’m sure that a 45/46 in push-pull has its own merits and would probably will one of those amps I’d like to build in the future.

Having a FE167E full-range driver that have a relatively high efficiency (94dB/W), the 45 SE doesn’t sound low. It has its own personality. Brilliant for jazz, it may need a tad of power perhaps when playing some rock and classic stuff.

It took me some time to optimise the driver stage. Started with an SRPP, then a paralleled 6SL7 to an 6J5 loaded with a gyrator in mu-follower achieving less than 0.20% THD at 150 Vpp. A great driver in my opinion. Now need to replace the 6J5 for the lovely 7193.

It looks like a Frankenstein valve, but it’s a lovely thing to me. Many claim that it’s a superior valve compared to the 6SN7/6J5 or even CV1988.

Adding the 7193 will require opening my 45SE and not having music at home for some time so at the moment is not what I have in mind.

Perhaps when I get the 4-65A up and running? It will take some time for that…