All about electronic valves and hi-fi
I’ve been running with this HP amplifier for a few weeks now and I have to say I’m delighted with it. I matched a pair of 6e6p-dr on my eTracer and after fiddling with the operating point a bit, I settled for Ia=25mA and Va=180V. Anode voltage will depend on the valve as said before, the Russian valve parameters tend to be all over the place. Anyhow, expect anode voltage to be around 170 to 185V. The beauty of the gyrator PCB is that you can adjust the anode voltage with the trimpot.
Continue reading “6e6p-dr Headphone Amp – part 3”If you have a small room and high-efficiency speakers, then keep reading. If not, you can still enjoy reading about probably the best sounding output valve in my view. The 45. I wrote about it few times and have to say, it’s still one of the best. Better than a 300B but unfortunately can do only 2W. You can use it in Push-Pull and is superb. Have a look at this.
Pentode drivers are very interesting. You can get excellent results out of them. Here is my version of a differential pair using pentodes. I want to try them out in the 45 PP design I wrote previously Continue reading “Pentode Differential Pair (Hybrid Mu-follower)”
It’s been far too long since I last posted on this blog. With the limited spare time I’ve got these days, I concentrated in setting up the new workshop and system since we moved back to our place. I’m nearly there, so now it’s time to get back to work
I made some updates to the “gyrator” PCB. I’ll stop referencing it gyrator from now on, since the name is misleading. However, it got popular that way. Nevertheless, it’s a hybrid mu-follower circuit but if only if you take the output from the anode, it behaves like a “gyrator” from a frequency response perspective. If you’re interested in this circuit in more detail, please read the lecture I gave last year at ETF.18. You can download it from here.
Back to the board, here are the few changes made:
Continue reading “Hybrid Mu-follower (aka Gyrator) Rev08 PCB Update”
Obviously it was time to test the little brother of the “Ba” DHT. In particular, as I have such a low DAC in place now, I need the gain. With nearly a gain of 30, it’s an attractive fellow to work with.
First good sign is that it doesn’t pick up as much hum as the Ba. That’s good, nevertheless I placed a back copper plate which acts as enough earth shielding to keep the Ba quiet.
I worked with my breadboard to find a good “sweetspot”( at least electrically) for this valve. Given the low signal source level, I aimed for a low bias. I played with my fixed bias setup before replacing it with the SiC bias board. I found that 2V/160V was very good in terms of keeping the distortion profile to minimum. Here is what I ended up with:
Only 2 SiC diodes are enough. The source follower PCB is mandatory given the low anode current. I run it at 20mA (hot) to get best results of the stage. Rest of the circuit is very simple, achieving a gain of about 30. Here is the distortion profile:
There is no shielding and you can see some minor IM distortion with mains hum. Harmonic decay is nice with H2 being strongest. THD is very low at 4Vrms which is good sign. Let’s see the frequency response now:
Nearly 140kHz of bandwidth which is plenty for the stage. Great response. I just need to plug this one in and listen to this promising German DHT.
Just in the last days before the arrival of our second child, I had a spot of luck and managed to get some free time to work on my DHT preamp experiments.
Originally I was put off by the hum pickup susceptibility of the Ba German DHT. However, I decided it was time to listen to the design I worked and experimented in my workshop time ago. I remember listening to this valve and was very pleased with its sound.
Continue reading “Ba DHT Preamp Build”Here’s the summary of the shootout day we had yesterday at my place with Tony Rees and Andy Evans
For testing the pre-amps Andy suggested the following 2 tracks:
Andy Evans
The Ravel is orchestrated for a large orchestra and percussion, and listening was particularly for the timbre of strings, brass and woodwind and the clarity of the percussion. The Janacek is for several different voices and chorus, and listening was for the tone and character of the voices and how well they were differentiated from each other. In both cases the overall clarity, life and crispness was considered.
Although I wasn’t familiarised enough with these 2 tracks myself, I found them to be an excellent choice and a reflection of Andy’s musical experience and knowledge as musician.
Continue reading “DHT Audio Shootout @ London”Well, I often get the question “what is the output impedance of the gyrator circuit?”. My response has always been “it gets close to 1/gfs as a good approximation”. Recently, I was asked the question again, but this time I decided to crack on the formulae, which is a daunting task for someone who has ditched calculus after obtaining Ms in Engineering degree more than 20 years ago.
For simplification let’s start with a simple hybrid mu-follower stage (a.k.a. Gyrator load) like the following:
With a quick mod on one of my active preamps, I managed to implement very quickly the 6Э6П-ДР (6e6p-dr) driver in my system. Here is how the circuit looks like:
