All about electronic valves and hi-fi
Thanks to the great feedback from 45, we found out that I made a mistake in modelling the LL1682 OT in my previous post. In a nutshell, I was getting half of the power, doh!
I should have started from scratch, looking at the push-pull curves and estimating at least the A1 power from a pair of 6C4C in push-pull. So following the B.J. Thomson method plotted the curves in push-pull:
I love the sweetness of my 45 SE amplifier, but you know what? A great push-pull (PP) amp has a fantastic presence, bass and dynamic response. Whenever I listen to a good PP amp, I get to the conclusion that I need to have different amps ready to be played depending to the music I want to listen to! My last two years have been devoted to what Morgan Jones calls in his book “single-ended madness”. And yes, my 4-65a SE in class A2 is slowly coming to life and when ready so then I will be properly mad.
6C4C amps I listened so far made a great impression both in SE and in PP. Owning all components required, I embarked on refining a full DHT push-pull design and again, cap-less (excluding the power supplies of course).